Don't try to put an example of everything at once! Make a selection!ĭigital Pianos - Electronic Pianos - Synths &a. BTW, I wouldn't go for such a mixture for a recital. I don't really know enough about your background and overall repertoire played (for instance, what about Bach, Mozart and Beethoven, Mendelssohn, etc.) so I'm judging from the things you said. As for the Sonata, if you really want it to be Chopin, take the 2nd, however overplayed it might be, even if you don't want to perform it in public, before the 3d, for all the above reasons! Of course, I could be at least partially wrong here. One could talk about it, from piece to piece, for hours perhaps! Anyway, the easiest Scherzo would certainly be the Bmin, easiest, but not easy. Never forget what a long-term illness and sense of doom does to a man! In his later works he is, I think, much less "open" and forthcoming, therefore often less outwardly dramatic or even "outwardly" lyrical, the drama is much more inner (and maybe deeper, if you want) and lyricism "softer" and more restrained, but how it sheds its light! Its warm as it never was before! (Getting all mushy here. Those later Chopin works require much more emotional "sophistication", if that is the right term, just as the 3d Sonata does in comparison with the 2nd, or the later Mazurkas in comparison with those from his youth. Andante spianato et Grande polonaise brillante, Op.Well, I can see how C#min could seem to be the most difficult from the technical standpoint, although I didn't find it as such, with a possible exception of the coda however, Emaj is surely the most difficult from the interpretation point of view, just as the Fmin Fantasy or the 4th Ballade are.
Variations sur un air national de Moore, B.12a (4 hands).Variations sur un air national allemand, B.14.
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